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PGLPRBIRX_BIRDY cover RGB
PG_Birdy_Full MockupBirdy 3d_1000pxls RGB
At Night
Floating Dogs
Quiet And Alone
Close Up (from Family Snapshot)
Slow Water
Dressing The Wound
Birdy's Flight (from Not One Of Us)
Slow Marimbas
The Heat (from Rhythm Of The Heat)
Sketch Pad With Trumpet And Voice
Under Lock And Key (from Wallflower)
Powerhouse At The Foot Of The Mountain (from San Jacinto)

Birdy

£16.99

Available 23 July 2017

Birdy is the music, composed by Peter, for the Alan Parker film of the same name.

This 2LP release is Half-Speed Remastered and cut to lacquers at 45rpm.

The vinyl was cut by Matt Colton at Alchemy Mastering, mastered by Tony Cousins at Metropolis and overseen by Peter’s main sound engineer Richard Chappell.

The LP looks amazing with a gatefold sleeve utilising imagery from the original LP + additional images from the film. Plain white inner bags. All images are newly re-scanned. Limited edition and numbered.

The vinyl LP album also contains a download card with a choice of digital download (Hi-Res 24bit/44.1k or 16bit/44.1k).

“It has been heart warming to see the return of vinyl. Even though I loved being free of its limitations in the digital world, there is still a warmth and presence to vinyl that somehow makes it a more natural human companion. It is great to see a new generation learning the secrets of the grooves” – Peter Gabriel

Recorded between October and December 1984 and originally released in 1985, Birdy marks the first occasion that Peter worked with French-Canadian producer and multi-instrumentalist Daniel Lanois who was fresh from working on The Unforgettable Fire with U2. Lanois went on to co-produce the So and US albums with Peter. Birdy is the soundtrack to the Alan Parker movie of the same name – the tale of a Vietnam vet who harbours Icarus-like ambitions to fly – it finds Peter flexing his creative muscles free of any commercial pressures.

“I’ve always loved film music and at age seventeen I had the choice to go to the London School of Film Technique or following a career as a musician, and it was quite a difficult decision for me. Ever since, I’ve always wanted to work more in film, not so much at the acting end of it, but more in the creating side. When I had an invitation from Alan Parker to work on ‘Birdy’ that was very exciting for me. Both he and Scorsese, who I worked with on ‘The Last Temptation of Christ’, are musical directors who really care and feel the music they work with.”

Read more about this release »